Ron Cobb created this “insectoid” ornithopter for an early attempt to make a Dune movie. That film did not materialize, however; instead we got very different and quite jumbled movie some years later.
Anyhow, this is a beautiful flyer that I’d love to see in some other setting. It would for example fit nicely in my baroque-futuristic Wolframfästet (The Tungsten Citadel) RPG milieu, in which the Earth is a worn-down desolation.
This picture is from the Final Fantasy game series. However, the first time I saw it, my instant reaction was Star Wars: an interior shot from a dieselpunk Deathstar. The Tibetan mystic must sneak across the abyss without attracting the attention of its grey-coated sentries.
A dieselpunk/Star Ears crossover model of Boba Fett. Artist unknown. Click on the picture for a larger version.
The adventurous Jedha City, painted by Andrée Wallin. Click on the picture for a much larger version.
When a year approaches its end, it is tempting to summarize it in a few bullet points. So here are my significant SF/fantasy/RPG experiences in 2016, listed in chronological order.
- Collaboration of the year: Gustaf Gadd and I wrote Skymningshavets gåtor, a seafaring fantasy campaign book for Drakar och Demoner, during the spring.
- Boost of the year: I received the Swedish RPG Dragon Award at Gothcon in April.
- Book of the year: I read and re-read Agent of the Imperium, an complex and enjoyable science fiction novel in the Traveller universe by Marc Miller.
- RPG campaign of the year: We were Pinkerton agents investigating a murder in New Orleans in early 1870.
- Boardgame of the year: Terraforming Mars by Fryx Games — wow!
- Tragedy of the year: Evert Johansson, one of my old Traveller buddies, suddenly passed away in November at age 58.
- Movie of the year: Rogue One.
- TV-series of the year: Agent Carter S1 — yes, I know it is not new, but I did not have a chance to watch it until a few weeks ago.
A classic Star Wars event moved to a diesel-era setting, perhaps inspired by the uprisings in Warsaw 1944 and Budapest 1956. I also see a connection to the Lemuria dieselpunk setting that Krister Sundelin, Tomas Arfert and I created more than ten years ago.
Artist: Sergey Vasnev at ArtStation. Click on the picture for larger version.