This battered desert vehicle will definitely make some sort of appearance in one of my dieselpunk stories in the alternative 1940s timeline of The Ice War (link >>> ). It could also appear in my campaign outlines — both Red Sand and New Era — in the Swedish space opera RPG Sci-Fi!
Artist: Brendan Baeza Stanicic at ArtStation. Click on the picture for a larger version.
Illustrator Marc Scott has made a set of diesel-era adventurers at ArtStation. See them here — link >>>
The lady above could certainly be protagonist Adèle von Rosen in my Ice War / Republican Rebellion alternate timeline. I am outlining a story in which that warm and sturdy dress would fit perfectly. (Click on the picture for a larger version.)
A village scene from Alba, the alternate Antarctica of my diesel-era spy adventure The Ice War (link >>>). Click on the picture for a larger version.
Artist: Geoffroy Thoorens at DeviantArt
A cool fictitious aircraft, developed during the late diesel era, painted by Eoghan Cowan (AphexTal) at DeviantArt. Click on picture for larger version
Summary in English: The Swedish literary website Litteraturmagazinet has published a piece about my science fiction and my war experiences.
På webbsajten Litteraturmagazinet bloggar författaren Mattias Lönnebo om mitt författande och dess koppling till mina krigserfarenheter — länk >>>
Karl Kopinski is one of my favorite illustrators. Every now and then he makes dieselretro artwork, and here is such a drawing: a grizzled old-school adventurer that could appear in a rough settlement on the icy continent of Alba in my spy adventure The Ice War.
Click on the picture for a larger version.
The Dutch cargo cloudship* C/S Cassiopeia plays a significant supporting role in my dieselretro spy adventure The Ice War (link >>>). When I browsed Deviantart a few days ago, I found this piece by the artist Mordasius. It looks like an observation port in the Cassiopeia’s bridge with some attached meteorological hardware.
Here is a description from another, regrettably still unfinished, story belonging to the same timeline. Republican spy Adèle von Rosen has found a temporary refuge in the Hyderabad-based cloudship C/S Mumtaz-e-Asmān.
The cook heaped cleaning and washing tasks on me as if I were an automaton. I therefore paid little attention to what was going on outside the galley, but some hours into the afternoon I sensed that the Mumtaz-e-Asmān was changing course. It was not the banking of an aeroplane, but rather the majestic turning of a ship at sea. A roundel of sunlight shining through a porthole slowly slid along a bulkhead and showed that the captain had chosen a more westerly route. Soon we entered new weather zone with more clouds and a strong wind buffeting the hull.
A crewman arrived at the galley hatch an hour later. “The skipper wants you,” he said in halting Danish. With relief I abandoned a huge dirty pot and followed him through cold corridors to the bridge. This time the big hatch opened and I entered a cluttered room as wide as the cloudship.
My first impression: banks of instruments at broad windows and beyond them a blue sky with clusters of white clouds above the Lowland’s checkerboard of fields that were blond and green with crops. Captain Singh resided in a pilot’s chair at the centre of the bridge surrounded by levers and control devices. Three cloudmen manned similar stations behind him. Parkas, knitted caps, and gloves protected them from the high-altitude cold.
*The dieselretro cloudships of The Ice War are loosely inspired by the sky vessels in Studio Ghibli’s animated masterpiece Laputa: Castle in the Sky.